Written by Mike Ragogna-June 1998 included in the CD booklet of "The Essential Helen Reddy Collection" One of the best compilation CDs out there. This bio is one of the most-precise bio's I've seen so far. It also includes song chart information and many rare photos of Helen. Any REAL Helen Reddy fan MUST own this CD! Available direct from "Razor and Tie", or in your favorite music store.
With her lyrics "I am strong, I am invincible," Helen Reddy provided the anthem of the '70's for women redefining their role in the evolving political and social climates of the decade. And although their creative approaches differ, artists like Tori Amos, Paula Cole, Shawn Colvin and Sheryl Crow carry the same torch and continue raising women's issues through their music in the language of their peers - a tradition that started with Helen's unsubtle #1 hit of a quarter century ago, "I Am Woman."
Like other women who helped to define a generation through their music (Carly Simon, Olivia Newton-John, Linda Ronstadt), Helen's mark is left by much more than a simple catch-phrase or one bit hit. Looking back at her 21 charting pop records and string of 14 Top 10 Adult Contemporary hits, Helen truly was invincible. For five years straight, she was on Billboard's Top Pop Singles chart every week, with entries written by future classic songwriters ranging from the soulful rockers Van Morrison and Leon russell to the gentle balladeers such as Kenny Rankin, Paul Williams and (Lord) Andrew Lloyd Webber. In fact, it was Webber who gave Reddy her first hit when she charted in February of '72 with "I Don't Know How To Love Him" from his rock opera Jesus Christ Superstar.
It was appropriate and perhaps a bit synchronistic that Helen's first smash was born of the stage, since Helen was apparently "born in a trunk"' on October 25, 1941 in Melbourne, Australia. She was part of a showbiz family, the daughter of actress and future soap-opera star Stella Lamond and Max Reddy, a popular writer, producer and comedian. Performing from age four and working full time from age 15 across her native Australia, Helen already had her sights on a more distant destination: America.
Over the years, Helen learned about the theater and performing live, acting, dancing and singing. When her parents returned from a visit to the States, they brought back US Top 40 singles exposing Helen to rhythm and blues by artists like Ray Charles and Chuck Berry as well as the jazz that she admired. With an amalgam of various musical styles, she blossomed into a successful solo performer, earning her own radio show in the '60s called Helen Reddy Sings which aired twice weekly on the Australian Broadcasting Commission (think BBC). In '66 Helen flew to New York City, the result of winning Australian TV's Bandstand International, a contest with 1,358 contestants fronted by Mercury Records. In addition to $400, she won an audition with the label but after arriving in America to collect the prize, a company rep took her to lunch and announced that Mercury would not give her a deal.
With her 3-year old daughter Traci in tow, she lived on whatever work she could find and struggled for awhile in New York, then in '67 moved to Chicago. A couple of breaks came for the aspiring singer by ways of appearances on the Mike Douglas and Steve Allen shows, and the recording of her first 45 "One Way Ticket." But her '68 move to LA was the one that made the difference. Capitol Records signed Helen in '71, her first single being "I Believe In Music" whose "b" side "I Don't Know How To Love Him" clicked at radio. (Though not a hit for Helen, the Mac Davis-penned "a" side was taken to #22 by the Detroit group Gallery a year later.)
Encouraged by her #13 chart performance, Capitol requested an album. The Larry Marks-produced LP, titled after her big hit, included her first, non-single and comparatively understated version of "I Am Woman" (sans the familiar big female chorus, and with a comparatively different arrangement). It also featured Helen's next hit, a cover of Van Morrison's "Crazy Love" that became her first AC Top 10; her self-penned "Best Friend" was also included on the album, and was featured in her first starring film role where she played a "singing/flying nun" (as Helen put it) in Airport '75. Her self-titled second album (with Marks again at the helm) was rushed out for the '71 Christmas season, its standout track being the Reddy original and frequent "b" side "More Than You Could Take" which smartly lamented a relationship's end.
About a year and a half after her first Capitol hit, the original version of "I Am Woman" was included in the movie Stand Up And be Counted (starring Stella Stevens). Since the film was a cult hit, the song was expanded to three verses and re-recorded for a single release. In '72, it briefly charted, then disappeared. But where most artists would move on to the next release, a very pregnant Reddy (expecting with son Jordan) hit the promotion trail and made 19 TV appearances singing the anthem; the women of America voiced their approval. "I hate the song, but my wife makes me play it" became many DJ's favorite disclaimer as they reluctantly spun the vinyl, and combined with Helen's efforts, the 45 recharted, claiming a #1 Pop status. Its irrepressible message, constant airplay and sales of over a million copies finally made Helen Reddy a household name. More TV appearances and even network specials followed. What few people hadn't heard of Helen by this point surely did the following March when the headlines focused on her Grammy acceptance speech: After accepting the award for Best Female Performance, she closed by thanking "God, because SHE makes everything possible!"
To read the remainder of the above biography purchase the CD:
"I AM WOMAN: The Essential Helen Reddy Collection"